KHACHATURIAN – ADAGIO FROM SPARTACUS PDF

Sheet Music – £ – Orchestral Parts. Arranged by David Stone. Aram Khachaturian: Adagio of Spartacus and Phrygia. Born in Tblisi, Georgia in , Aram Khachaturian’s music is still performed regularly in. Aram Khachaturian. Publisher: G. Schirmer. Adagio from “Spartacus”. Work Notes . Available in the USA, Canada and Mexico only. Publisher. Khachaturian titles.

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Retrieved from ” https: The moody spartaus line compliments the staccato trumpet fanfare, which perhaps represents the links to war and the army within the ballet. The upper winds accentuate this melody with quaver movements that keep the tempo driving below the melody.

The trumpets have a different line to the rest of the orchestra, with them playing the same offbeat quaver movement that is heard at the start of the piece.

Adagio from Spartacus Full Set

Opening with a delicate syncopated rhythm from the upper strings, the flute embellishes the developing theme with a sequence of trills. This induces Spartacus and his men to rebel.

Image Source Recommended Recording: The harp is adagik playing here, and the delicate plucking of the strings to accentuate the scalic movement is effective and adds to the intense atmosphere.

The lower strings are marked pizzicato, and the delicate plucking of the strings creates an interesting dichotomy between the full string melody and the sparse accompaniment. The lower strings begin to enter slowly to support the melodies above, and the cellos play small countermelodies every eight bars. There is an awash of sound from the upper strings, with the upper winds embellishing the melody once more. The strings begin to tremolo and then build up the scale until they hit their highest registers.

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Horrified at his deed, Spartacus incites his fellow captives to rebellion.

Aram Khachaturian – Spartacus

This offers a very different texture to what we have sparttacus heard, and it becomes rather poignant how Khachaturian uses the love theme in different ways.

In other projects Wikimedia Commons. Your email address will not be published. The piece ends with the strings unifying back in the home key and slowly dying away after one last swell together.

Ffom the opera it appears in the second act, when the slave women are set free, and Spartacus and Phrygia celebrate. The flute joins in with a more prominent countermelody to the oboe, with the two working together to sparrtacus Spartacus and Phrygia.

The cellos are notated in their upper register in this section, which creates an interesting timbre when mixed with the violas and lower winds in particular. The violins repeat the love theme, but this time an octave down.

Aram Khachaturian – Adagio from Spartacus Full Set

As the intensity of the melody grows, so do the dynamics. The brass build tension with the use of dynamics and their distinct timbres, making this section a transition into the biggest climax of the piece.

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Meanwhile, Crassus entertains the Roman patricians with a lavish entertainment, including fights between blindfolded gladiators, one of whom is Spartacus. By using this site, you agree to the Terms of Use and Privacy Policy.

After deciding that a career as a composer Read more…. This falls back into a woodwind transition, which takes us into the final section of the work.

Khachaturian composed Spartacus inand was awarded a Lenin Prize daagio the composition that same year. Leave a Reply Cancel reply. This feeling of staticism and the rest of the orchestra stopping is like taking a very large musical breath, which in this case is rather effective. This page was last edited on 22 Novemberat To entertain Crassus and his entourage, Spartacus is sent into the gladiatorial ring and is forced to kill a close friend.

Spartacus (ballet) – Wikipedia

Spartacus in fiction and media. The offbeat quaver movement in the string parts keeps a gentle rocking feel as various wind instruments begin to develop the opening theme of the piece.

Compositions by Aram Khachaturian. Thanks for the summary and analysis. The Gladiator Spartacus ballet.

The clarinet and oboe are utilised in this section, with both playing pivotal solos.